i need opinions!!
does this sound good?
what edits could i make?

One significant contemporary artwork by a Filipino artist in my community is titled "Bayanihan" by Juan dela Cruz. This artwork is a mixed media installation that combines elements of sculpture, painting, and found objects. The artist used wood, metal, acrylic paint, and recycled materials to create a three-dimensional representation of a community coming together.

The subject of "Bayanihan" revolves around the theme of unity and collective action. The artwork depicts a group of individuals lifting a traditional Filipino house, known as a bahay kubo, symbolizing the spirit of bayanihan, which refers to the Filipino value of communal unity and cooperation. The artist's use of vibrant colors and intricate detailing in the sculpture captures the energy and strength of the community working together.

What makes this artwork significant is its portrayal of a deeply rooted cultural value and the artist's ability to capture the essence of bayanihan. Through the choice of materials and the skillful execution, Juan dela Cruz communicates a powerful message of unity, resilience, and the importance of community support. The artwork serves as a visual reminder of the strength that can be derived from collective action and highlights the artist's talent in capturing the spirit of Filipino culture in a contemporary context.

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Answer:

Is art able to ntry save lives? This may be misleading, but art analysis could be a fantastic tool for us most highly regarded professionals (such as doctors, nurses, and police officers). Study of the works of René Magritte, Time Transfixed, can impart skills in communication and analytical abilities when the subject is linked to both visual and textual phenomena.

Explanation:

Since art frequently reflects and conveys a variety of facets of human experience and emotions, analyzing art can be connected to everyday life in a number of different ways.

By offering chances for self-reflection, inspiration, and emotional insight, art analysis can have a practical impact on everyday life.

When we interact with analyzing art, whether it be in the visual, literary, musical, or other forms, we can learn new things, be inspired, and even find comfort or catharsis.

A profound impact on our daily lives can be made through art's ability to arouse emotions, foster critical thought, and promote self-reflection.

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Answer:

Explanation:

Piccaso

Answer:

fantasmagoorie

Explanation:

Explanation:

What do see ? I see a mother who has not enough food for her children.

What do you feel ? I feel sad because the picture is awakening emotions in me which are reminding me about my emotions for my parents.

What themes are there ? Mother is sacrificing herself because she wants her children to have everything.

What ideas arrive in your mind ? Mother will always give her children rather than herself.

What intention could you have for your piece ? To show everyone that they should be grateful for little things and that they should respect their parents.

What target audience could you have? An Audience that is not valuing enough real values and this picture can remind them of what is important in life and why they should be grateful.

European modernist music before World War I generally focused on developing tonality, while later stages of avant-garde music focused on developments in atonality.

Tonality refers to the organization of music around a central pitch, often referred to as the tonic. The music of composers such as Debussy and Ravel focused on tonal experimentation, utilizing non-traditional scales and harmonies. These composers were interested in exploring the possibilities of tonality, pushing the boundaries of traditional harmonic structures and exploring the use of dissonance and chromaticism.

In contrast, the later stages of avant-garde music, particularly the Second Viennese School (Schoenberg, Webern, and Berg), rejected tonality altogether in favor of atonality. Atonality refers to the absence of a tonal center, creating a sense of ambiguity and disorientation. These composers were interested in exploring new harmonic possibilities and pushing the boundaries of musical expression.

Overall, the development of European modernist music before World War I and the later stages of avant-garde music represent a trajectory of experimentation and exploration of tonality, leading to the ultimate rejection of it in favor of new possibilities in atonality.

The question was incomplete, Find the full content below:

European modernist music before world war I generally focused on developing _____, while later stages of avant-garde music focused on developments in ______.

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Answer:

Either a contract to create a work of art or the act of creating an artwork. Pretty sure it's a contract to create a work of art.

Explanation:

To commission me is to ask me to draw something for you. For example, if A asks B to draw something for them, then A is commissioning B.

Title of the Work is the Starry Night by Vincent van Gogh. Accurate Identifiers for The Starry Night are Painting created by Vincent van Gogh in 1889 and depicts a nocturnal landscape with a prominent swirling sky. Art Historically Defensible Claim that The Starry Night uses landscape to convey the emotional and psychological state of the artist, expressing his inner turmoil and longing for spiritual connection.

Supporting Evidence 1:
The swirling, expressive brushstrokes in the sky of The Starry Night create a sense of movement and turbulence. This can be seen in the dramatic curves and loops that dominate the composition. The elongated forms of the cypress tree and the village buildings in the foreground further contribute to the dynamic nature of the scene. This visual evidence suggests that van Gogh's brushwork reflects his inner emotional state, conveying a sense of turmoil and restlessness.

Supporting Evidence 2:
The use of vibrant and contrasting colors in The Starry Night adds to the emotional impact of the artwork. Van Gogh's choice of deep blues, yellows, and greens creates a powerful contrast and intensifies the expressive quality of the painting. The bright yellow stars and crescent moon stand out against the deep blue background, evoking a sense of wonder and awe. This visual evidence demonstrates the artist's attempt to convey his emotional and spiritual connection with nature through his use of color.

Explanation of Evidence:
The swirling brushstrokes and vibrant colors in The Starry Night effectively convey van Gogh's emotional and psychological state. The energetic brushwork represents his inner turmoil and the turbulent nature of his thoughts and emotions. The contrasting colors contribute to the overall intensity and expressiveness of the painting, emphasizing van Gogh's desire for spiritual connection and transcendence. The combination of these visual elements creates a powerful and evocative landscape that conveys the artist's complex emotional state.

Corroborating or Qualifying the Claim:
While The Starry Night is often interpreted as a reflection of van Gogh's mental instability and his struggles with mental health, some scholars suggest that the painting also conveys a sense of hope and beauty in the midst of darkness. The presence of the radiant stars and moon can be seen as symbols of hope and spiritual enlightenment. This interpretation adds nuance to the claim, suggesting that the landscape in The Starry Night represents both van Gogh's emotional turmoil and his search for solace and transcendence.

In conclusion, The Starry Night by Vincent van Gogh uses landscape to convey the artist's emotional and psychological state. The swirling brushstrokes and vibrant colors in the painting reflect van Gogh's inner turmoil and longing for spiritual connection. The visual evidence of the dynamic brushwork and contrasting colors supports this claim, while the presence of stars and moon adds nuance to the interpretation. The landscape in The Starry Night serves as a powerful means of expression, allowing van Gogh to communicate his complex emotions and inner experiences to the viewer.

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Answer:

He cut his ear off because he heard voices inside his head

Explanation:

He thought that if he cut his ear off that he would stop hearing the voices inside his head.

Explanation:

he heard noises and/or voices in his ear(s)

Photorealism are some of the benefits of vector art. Photorealism is  the practice of making a painting from one or more photographs.

Photorealism is the recreation of an image or photograph, whether through painting, drawing, etc., so that the image looks accurate and true  or realistic.  When doing photorealism, the artist  often pays attention to all the details of the photo, so that the painting or drawing resembles the photo. Although photorealism often tends to make the image appear larger than it is in real life.

Concluding that Photorealism is the practice of making a painting from one or more photographs. This style was so much closer to both popular audience.

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Answer:

The project is grandiose in structural complexity with its load-bearing walls and ceilings. These are created with a series of metallic grids and triangulations. As such, they form a single structural body devoid of flat surfaces. Moreover, the whole is covered with an imposing skin of titanium and glass.

Explanation:

The main visual qualities of the Guggenheim Bilbao include reflective surfaces and curving lines.

The building's titanium exterior reflects the surrounding environment, giving it an ever-changing appearance throughout the day. The curving lines of the building create a sense of movement and fluidity, making it appear almost organic. These visual qualities make the Guggenheim Bilbao a true masterpiece of modern architecture.

The Guggenheim Museum Bilbao is a museum of modern and contemporary art in Bilbao, Basque Country, Spain, constructed by Canadian-American architect Frank Gehry. King Juan Carlos I of Spain opened the museum on October 18, 1997, with an exhibition of 250 modern works of art.

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Answer:

C. The answer is C because sculptures and painting were made during the Renaissance era.

Answer:

Definetly abstract art! SInce it's just colour and shape everywhere so it can express a lot of different emotions.

Explanation:

Answer:

1) c: to light up

2) b: to stand out

3) a: to create a focus point

4) c: a duke or duchess

Answer:

1. To light up

2. To stand out

3.  To create a focus point

4. A duke or duchess

Explanation:

Answer: My answer is "I'm Suga and im bad boy"

Answer:

If u can pick someone between them....idt ur a true army

Well i can't pick

OT7 :)

The individual you are referring to is Francesco Griffo. Francesco Griffo was a renowned typeface designer and punch cutter in the 15th and 16th centuries.

He is known for his exceptional craftsmanship and is credited with cutting the first italic typefaces for Aldine Press editions. Griffo's contributions to typography include designing and cutting Roman, Greek, and Hebrew typefaces, showcasing his versatility and skill in creating a diverse range of letterforms.

His work with Aldus Manutius, the founder of the Aldine Press, played a significant role in the development and popularization of the italic typeface.

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Answer:

ok holp up i got you

Explanation:

The name for the section that occurs immediately after M.C. Hammer says "break it down" in the song "U Can't Touch This" is called the "Funky Headhunter" session. During this section, a DJ would typically scratch and mix different instrumental tracks, creating a rhythmic and danceable beat.

"Funky Headhunter" is not a correct term for the section that occurs after M.C. Hammer says "break it down" in the song "U Can't Touch This". The correct term for that section is the "Hammer Time" session.

During the "Hammer Time" session, a DJ would typically scratch and cut the beat using turntables, adding various sound effects, such as samples of other songs, to create a new and exciting sound. The purpose of this session is to get people dancing and hyped up on the dance floor.

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Answer:

Symbolic elements were widely used

Douglas Coupland explore identity in his paintings. As he sees the world through the eyes of a visual artist. As this informs his writing as well as painting.

Douglas coupland was a Canadian novelist as well designer and visual artist. As he was born on December 30, 1961, Baden-Söllingen, Germany. As there are, some novels are written by Douglas Coupland are generation X.

As his views on the painting refers to that, the eyes of a visual creative person, and this informs his writing, his paintings, his installments, and his daily life. Everything is connected.

Therefore, As a result, he explores identity in his paintings by visual artist.

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Answer:

do you have a picture of the question?

Explanation:

Answer:

Following are the solution to this question:

Explanation:

In the 21st century, classical music of its art music developed around 2000, and throughout the modern classical world. In many aspects from the last generation, like comment, inter, and conceptualism were retained, directed at incorporating aspects among all musical styles regardless of whether they be "classical".

So Sweet, I appreciate that so much. So many people need to hear or see things like this

Hans Richter, Marcel Duchamp, and Vilang Eerefing were three Dada filmmakers in the 1920s that were challenged by changes in film technology and eventually abandoned filmmaking entirely.

The answer is H.

Richter, a German filmmaker, was known for his experimental films that were heavily influenced by Dada art. He was also a pioneer in the use of animation, stop-motion, and cinematic special effects. Duchamp, the French-born artist, explored film as an art form, creating short films without conventional narrative or traditional editing. Eerefing, a Dutch filmmaker, was a member of an avant-garde Dadaist circle and created various sorts of experimental films, regularly utilizing newsreel footage to create collages.

The changing landscape of film technology caused by sound films and experimental projects proved difficult for many Dada filmmakers to keep up with. This, coupled with the increasing popularity of traditional filmmaking in the 1920s, forced many Dada filmmakers to stop making films and focus on other artistic pursuits.

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The painting offended viewers by depicting common people realistically, elevating provincial events, and portraying the bourgeoisie as a political threat. Therefore correct option is (4) All of the above.

This painting was offensive to many viewers at the Salon of 1850-1851 due to a combination of reasons. Firstly, it presented common people without any idealization, which was against the established norms of academic art that typically portrayed idealized or heroic figures. By depicting ordinary individuals in a realistic manner, the painting challenged the traditional notions of beauty and elevated subjects that were considered unworthy of artistic representation.

Additionally, the painting elevated provincial events to the status of history painting. History painting was highly regarded in the academic art world, and it typically depicted grand or monumental scenes from mythological, historical, or biblical narratives. By portraying a mundane scene from everyday life, the painting deviated from the expected subject matter and challenged the hierarchy of genres.

Furthermore, the depiction of the Ornans bourgeoisie in the painting represented a political threat to the Parisians. The Salon exhibitions were significant social and cultural events in Paris, where the artistic elite and influential individuals gathered. By portraying the bourgeoisie, who were associated with the provincial regions, the painting challenged the dominance of the Parisian upper class and their perceived cultural superiority. This depiction of the bourgeoisie as a political threat to the established order might have been seen as offensive and disruptive by many viewers.

In summary, the painting offended viewers at the Salon of 1850-1851 because it presented common people without idealization, elevated provincial events, and portrayed the Ornans bourgeoisie as a potential political threat. These departures from the traditional artistic norms and challenging of social hierarchies stirred controversy and went against the expectations of the academic art establishment.

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Leitmotifs, which are succinct musical motifs associated with a certain person, thing, or idea, were used by Richard Wagner.

It will frequently return as a melodic phrase every time a character related with it enters the frame in an opera or other piece. Typically, it is not very long. Leitmotifs were frequently employed by Richard Wagner, and Der Ring des Nibelungen is where they are most noticeable.

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